Snap two identical photo's of the chair you sit on when you assess your days work: one with you on it and one without: <
https://artbbq.nl/wp-content/uploads/2023/01/artbbq2022aa.jpg
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Luuk Bode 26-12-22 - posted by Ron 04-01-23
Other Studio Playlists in 2022:
All contributions by this author:
December 21, 2021 - Comments Off on Studio Playlist 2021 #20: Luuk Bode
Meet Luuk in his studio and support local artists through:
https://kunstambassade.nl/kunstenaars/luuk+bode/
https://kunstambassade.nl/kunstenaars/luuk+bode/
Emperor – In The Nightside Eclipse
Dissection – Storm Of The Light’s Bane
The Limit – Caveman Logic
Corrosion Of Conformity – America’s Volume Dealer
Fates Warning – Awaken The Guardian
Liege Lord – Burn To My Touch
Nina Hagen – Nunsexmonkrock
Mr Bungle – The Raging Wrath Of The Easter Bunny
Joshua – Surrender
Monster Magnet – A Better Dystopia
Pencil:
It all started with a pencil, and to this day, everything I make still starts with a pencil. It is one of the most pleasurable parts of my process: starting with a sharp, hard (5B or 2B) pencil on a thin piece of bright white A4. The first lines are always very light, then I keep polishing the lines with softer pencils (F or B). The paper starts to wear thin on some parts, softening the surface. For my typography I always start on 1 mm squared paper, and I love bending the lines between the grid.
My dear friend and colleague Peter Pontiac once said that drawing is like ice-skating: ‘On a lousy day everything’s terrible, but when it all goes smoothly… it’s the best feeling in the world’.
Acrylic paint:
Once I learned how to work with acrylic paint during art school, I had a steady base for most of my work. Before that, I used ecoline (coloured ink, not water proof). One mistake could mess up the entire drawing. With acrylics, I could just add another layer, and build my images more systematically.
Wacom:
I worked strictly manually until it was no longer possible to maintain. Drawing by hand was always so much more attractive than looking at a screen and touching buttons. The shape of the mouse was terribly inconvenient, since I had been holding pens, pencils and brushes for twenty-plus years. It was only when the Wacom tablet arrived, I started working digitally. Now I have a hybrid way of working; switching back and forth from digital to analogue during the process.
Triptykon with the Metropole Orkest - Requiem (Live at Roadburn 2019)
Oranssi Pazuzu – Mestarin Kynsi
Sunn O))) – Pyroclasts
Enslaved – Utgard
Kvelertak – Splid
Ministry - Houses of the Mole
Judas Priest - Sin After Sin
Led Zeppelin – In through the Out Door
Guns 'n' Roses - Use Your Illusion I & II
Abattoir – Vicious Attack
Triptykon with the Metropole Orkest - 'Requiem (Live at Roadburn 2019)'
1 The Hives - The Black and White Album
2 Primordial - Redemption at the Puritan’s Hand’ & ‘To the Nameless Dead
3 Obituary - Obituary
4 Ambarchi / O’ Malley / Dunn - Shade Themes from Kairos
5 Miles Davis - Dark Magus
6 The Charm the Fury - The Sick, Dumb & Happy
7 Cirith Ungol - Paradise Lost
7 Cypress Hill - Black Sunday
8 David Bowie - Black Star
9 Crimson Glory - Crimson Glory
10 Slipknot – Vol 3: The Subliminal Verses
Sound: Yamaha
1 The Hives - ‘The Black and White Album’
2 Primordial - ‘Redemption at the Puritan’s Hand’ & ‘To the Nameless Dead’
3 Obituary - Obituary
4 Ambarchi / O’ Malley / Dunn - ‘Shade Themes from Kairos’
Tribulation - Children of the Night
Sunn O))) - Kannon
Ace Frehley - Ace Frehley
Dead Lord - Heads Held High
Rolling Stones - Out of their Heads (UK)
Mad Season - Above
Faith No More - Sol Invictus
Pestilence - Spheres
Megadeth - Rust in Peace
Urfaust - Apparitions